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Movie Review

 
 
Mamma Mia!
Based on the musical which opened on Broadway in October, 2001 and is still at the Winter Garden Theatre
Click here to read our review of the Broadway production

Running time 1:48 - not including previews or other pre-feature commercials
The movie version of the hit musical
 

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The film version of the Broadway smash hit demonstrates the difference between the infectious effect of a live performance and the emotional distance between an audience and a film being projected on even a big screen supported by a fine sound system. At the Winter Garden in New York, where Mamma Mia! has been playing for seven years, in the National Theatre on Pennsylvania Avenue where its national touring company has played no fewer than four times, or the Hippodrome in Baltimore where it has played once, the show practically insists that you have a great time. It reaches out to the audience with its infectious score, its high-spirited attitude and its brightly colorful sights and drags practically everyone into the experience. Yes, there are curmudgeons who can resist the siren song effect, but they are few and far between. Anyone who doesn't walk in with an attitude or a toothache is most likely going to be having a great time before the show gets too far into its silliness. The film, on the other hand, is an enjoyable hour and a half or so for those who come into the auditorium primed and ready for what they are about to see. It can't however, alter the mood of those who come in skeptical or who don't already think this is their cup of tea.

Storyline: The movie version of the stage musical that took 22 of Abba’s greatest hits to tell the story of a young girl on a Greek island who is getting married and wants her dad to give her away. The difficulty is her single mom never said who her dad might be. From mom’s diary she determines it could have been any one of three of her mom’s former boy friends, none of whom she has ever met. So she invites all three to the wedding and tries to figure out which one should walk her down the aisle.

Both female leads acquit themselves nicely. Mega-star Meryl Streep, as the mother of the bride, proves that she can sing this kind of light pop very well while creating a pleasant character and getting laughs at all the right places. As her daughter who wants some sort of paternity connection, soap-opera child star (As The World Turns by the time she was 15, All My Children at age 17) and frequent TV actress (Law and Order, Crime Scene Investigation and others) Amanda Seyfied proves to be a charming youngster whose enthusiasm works well on screen. Pierce Brosnan makes a photogenic leading candidate for father of the bride, but only seems to sing one phrase at a time as if the film editor had to select an on-key version from among multiple cuts. Tony Award winner Christine Baranski (Mrs. Lovett in the Kennedy Center Sondheim Celebration revival of Sweeney Todd where she earned a Helen Hayes award and Mame two years ago in the same hall) is one of Streep's back up singers while British actress Julie Waters steps out of her Harry Potter films (she's been playing "Molly Weasley" in that series) to join her in the hi-jinks.

The movie has much the same creative team as the stage version. Phyllidia Lloyd directs with some of the emphasis on visual brightness as on stage, but the transition from staged Greek Island beauty to filmed reality introduces a bit of a different feel to the festivities. Catherine Johnson adapted her script for the movie and for some reason introduced an only slightly set up and then weakly resolved subplot about the history of the Greek Island that is as superfluous as it is underdeveloped. Anthony Van Laast adapted his own choreography which seems at times clunky and at other awkward. Poor Miss Barnaski is called upon to do some really poor moves in her big number, "Does Your Mother Know."

One ABBA song that wasn't used in the stage version of Mamma Mia! has been used in the film. "When All Is Said And Done" was one of ABBA's last successful releases. It was included in their final album and it was the final top 40 hit of the group in the United States when it was released as a single in 1982.